Blog Poster Lisa pointed out that fabric scans not only pick up the color and the print, but the warp and weft, the wrinkles and any quilting stitches, and anything else on or in the fabric. She was absolutely correct, so I started with scans, and then took them to Adobe Illustrator and fooled with the scans in order to eliminate as much of the *background noise* as possible.
This is a scan from the quilt
I used the Brush Strokes Effect in AI, and simplified the design
and then eliminated the stained background
And here's the comparison. I'll have to *distress* the new fabric (the file that Spoonflower will use to print the fabric is on the right), and maybe even tea-dye it to get it to blend in better, but I'm pleased with the replication.
I didn't bother trying to take out the quilting stitches for this fabric- they look okay on the sample to the right. The new fabric won't match the old one exactly (in design or color), but I think it'll match closely enough.
This one came out okay without much fiddling at all.
This fabric was so damaged that I started from scratch with the file, and redrew it rather than working from a scan.
Same with this one (the original fabric is on the lower triangle). Again, I'm sure I'll have to tea-dye and distress the new fabrics.
I've ordered sample swatches of all of these from Spoonflower. Sometimes the colors on the screen don't match the colors on the fabric, so I may have to do some tinkering with the files before ordering larger pieces. It'll take a few weeks for the samples to arrive, so Part 2 is going to be delayed for a bit. Given that I'm supposed to be working on a YA Fantasy, I think I have enough to do in the interim.
